27 Nov 2013

Got A Ukulele Birthday COMPETITION - win a ukulele!

Well, another year goes by and Got A Ukulele is now four years old!!


COMPETITION NOW CLOSED - RESULT WILL BE ANNOUNCED VERY SOON!!
happy birthday Got A Ukulele

Nearly 1,100 posts in those four years, and it has been a huge amount of fun, bringing me into contact with some wonderful people. And in what stands great danger of being a regular occurrence, I thought I would run a birthday competition for my readers to win a brand new ukulele!

Courtesy of the guys at Moselele I am giving away the Moselele Bambookulele concert uke to one lucky winner. If you read my review of that instrument you will see I was pretty impressed with it, and here is your chance to get your hands on one!

Moselele uke - the prize!

To enter, all you have to do is answer the following three questions. All the answers can be found on this blog somewhere.

Just email your answers in an email with GOT A UKULELE COMPETITION in the subject line, and including your postal mailing address. All correct entries will go in a hat shaped thing and a winner will be drawn at random. The competition closes at midnight on 24 December and the winner will get a nice New Year gift!

OK, here we go with the questions

1. What score (out of ten) did I give the Kanile'a K-1 Tenor uke?

2. How many different ukulele clubs do I have listed that are in Australia?

3. Who were the five uke players that Ken Middleton said inspired him?

Answers by email to bazmazwave@gmail.com before the closing time on 24 December to be in with a chance of winning.

GOOD LUCK!


1. Competition  ends at midnight GMT on 24 December 2013
2. To be eligible for the draw you must enter by email with GOT A UKULELE COMPETITION in the subject line, provide correct answers to all three questions, AND provide a working email address and postal address by which I can contact you for  if you win.
3. I reserve the right to reject entries that are duplicates, offensive or anything else unsavoury!  My decision on this is final.
4. On draw day, all correct entries will be drawn from a hat (or hat shaped receptacle) to determine the winner. My decision on the winner is final and no correspondence will be entered into.
5. The winner will be selected within 7 days of the draw day, and will be announced on this site.  I will also contact the winner by email.
6. This prize has no alternative cash value.
7. No purchase necessary
8.  Emailing your entry is not proof that I have received your entry. No responsibility can be accepted for entries that are lost or delayed, or which are not received for any reason
9. The prize in not transferable to another person
10. The prize ukulele will be a Moselele Bambookulele concert uke, and will be shipped to the winner direct. Got A Ukulele or Barry Maz are not responsible for carriage of the prize and cannot be held responsible for problems with delivery. Your shipping address is critical as this is where the prize will be sent!
11. Got A Ukulele will NOT use any personal data submitted by you in entering this competition except as required under the terms of this competition
12. Got A Ukulele reserves the right to substitute, in their reasonable discretion, the prize with a prize of equal value

25 Nov 2013

Got A Ukulele Interview - Sarah Maisel

Earlier this year I got to both watch and meet a truly special ukulele player at the Ukulele Festival Of Great Britain in Cheltenham. She captivated the audience during her set, gained a well earned standing ovation and also warmed the hearts of anyone who had a chance to chat with her. She is in high demand on the ukulele circuit and I am delighted that she has agreed to speak to Got A Ukulele. Say hello to Sarah Maisel!

Sarah hails from Birmingham Alabama and has had a love for music from an early age. She actually came to the ukulele quite late on, but that doesn’t show in her playing! She performs effortlessly beautiful jazz themed numbers that create that ‘pin drop’ feeling in the audience and I would highly recommend you try to see her if you can.

Sarah Maisel with ukulele
Credit - ABI Photo

Hi Sarah, good to speak to you again. You certainly seem very busy at the moment - where abouts are you at the moment? 

I’m back home in sunny San Diego! I just returned from doing a ‘Ukulele Retreat’ in Hawaii AND right after that, I headed to Tampa, Florida to perform at the Tampa Bay Ukulele Getaway. It’s been a crazy year full of travel, and it looks like next year is shaping up to be the same. 

I’m very excited. I see you are back at the UFGB – will be great to see you there again! 

The Ukulele Festival of Great Britain will always hold a special place - it was my very first International Festival and the reception my music had there blew me away. I actually cried on stage because of the standing ovation I received. I adored the people attending the festival; everyone was so friendly and willing to share. It was truly the “Spirit of Aloha”. It was also one of the most organized festivals I’ve ever been a part of- I GREATLY appreciated that. I’m INCREDIBLY excited to be coming back- I’ve made so many new friends and I can’t wait to jam with them. 

Take us back to your first musical memories - how did you get into music? 

Music has always been played in my home, in the car, everywhere. My parents (particularly my father) were really into music, though neither of them played an instrument. My dad likes to tell the story of how, when they brought me home from the hospital (as a newborn) Count Basie was playing in the car. So for me, music has always been in my memories. 

So, Jazz from an early age then? You have a really effortless style to your jazz playing – clearly a musical favourite of yours? 

Absolutely. I love Jazz, particularly the standards. I grew up listening to them, so I have many fond memories attached to them. 

Had you been playing other instruments before the ukulele? 

Yes, I played Classical Violin from about age 6-17. I also studied piano for a few years during that time as well, but not seriously. The violin was my main instrument. I played in string orchestras for years, as well as taking private lessons. I loved the violin, but at age 17 I quit playing music all together. I didn’t pick up the uke until I was 24. 

So what was the uke epiphany? 

The ukulele was not very popular in the state I grew up in (Alabama). After I moved to California, that is when I found the uke. My friend from work was telling me about this pizza place where there were 40 or more ukulele players that would get together and play- PLUS there was Hula dancing as well! To me, this was unbelievable, so we had to go check it out. Once I walked into that place and saw all the happy people, and the amazing spirit of the place, I had to be a part of it. Luckily, the man that ran the ukulele group (Moonlight Beach Ukulele Strummers) was starting to do his very first group ukulele lessons at the local community college. Several of us from work started taking lessons, and the rest is history. 

And aside from jazz, what other types of music put a smile on your face? 

I do love Classical music as well, particularly Baroque music. I’m also a huge Mozart fan. BUT of course I love other genres, Rock and Roll, Classic Rock, Folk. Things like The Beatles, Donovan, Crosby Stills and Nash, Eric Clapton, etc. I’m not much into “modern” music, but there are some artists I like- such as Jason Mraz and Corrine Bailey Rae. 

I think the ukulele suits most styles of music, but I do come across those who prefer players to stick to certain styles – what are your thoughts on that? 

I think you should play whatever style you want. There are no RULES for the ukulele- if you want to play rock and roll, or classical, or even disco, by all means, play it! I can understand some folks wanting to only hear Hawaiian music from the ukulele, but I feel that is closed minded. There are so many possibilities available to the instrument and it is incredibly versatile. There is no reason to pigeon hole it to one genre. 

Couldn't agree more Sarah! We are also well and truly in a worldwide ukulele 'boom'. What is your take on that and where do you think we are headed? 

I have no idea where the ‘boom’ is headed- all I know is that I hope it lasts for a long time. The uke is such a happy instrument and brings such joy to so many folks. I think the world needs more joy, so the longer the uke stays in the spotlight, the better. I know it will always hold a special place in my heart. I do hope that with this resurgence of ukulele, that we will start to see more serious players. The uke has been seen as a toy for so many years, and I am so happy to see that notion being dispelled. Yes it is a great instrument for someone who has never played, but it is a TRUE instrument that can play any genre of music. I’d like for others to see how versatile the instrument is. 


Sarah playing with Paul Tillery on double bass


You have played with some big names and at some great events - where do you like playing best? 

This is such a hard question- I love many of the places and for very different reasons. I currently have two favorite festivals- The Ukulele Festival of Great Britain and the Tampa Bay Ukulele Getaway. 

Here are my reasons: 

As I said earlier the Ukulele Festival of Great Britain, being my first will always hold a very special place for me. 

The Tampa Bay Ukulele Getaway was amazing. It is limited to 150 folks, so those that get tickets REALLY want to be there. That festival sold out in 5 days. For that one, at the end of the event, everyone feels like family. You really do get to know EVERYONE, and again, everyone is incredibly supportive and willing to share. The other thing that this festival did, that I’ve never had at any other, was they made the workshops available to EVERYONE- meaning that they had you teach the same workshop twice so that folks could be sure to take your class and not miss any teacher. I thought this was brilliant. They also had all of the teacher notes in a pre-made booklet that everyone got at registration- also brilliant! 

What do you think makes a good ukulele event? 

The first and foremost are the folks that attend the festival. They are truly what make the festival great. Without them, the fests wouldn’t happen. I love visiting and getting to know them- the great thing about the uke world is that I haven’t met a jerk yet that plays the ukulele. Ukuleles tend to attract nice HAPPY people. Organization is another attribute that I think is very important to a festival. You may have the best line up in the world, but if you don’t have your festival together, it will be a flop. There was one festival that I was a part of that had two AMAZING headliners- and SO many seats were empty because the festival wasn’t organized in getting their fest advertised, or in getting tickets to people on time. It was truly a shame. Of course your artists are important. The Festivals that do the best will have not only folks that are great performers, but great teachers as well. The uke is an instrument that is based on sharing; if you have good teachers, people will always remember that more so than the performance. 

I was lucky enough to have a play of your Mike DaSilva ukulele when we met at your last event on this side of the pond. Tell us about that and your other instruments. 

I have a 5 string ukulele made by David Iriguchi (the Happy Ukulele). His ukes are unique and have a sweet tone. He also names his instruments, and mine is named “Banshee”, after my guinea pig. The uke has two G strings, a high and a low. It’s a lot of fun to play. 

I also have a Rick Turner, Compass Rose. I LOVE this ukulele. It is his “Le Jazz” model. I feel very fortunate to have such an amazing instrument. It has fantastic tone, and it’s pretty to boot! I remember when Rick gave it to me he said, “This will be the best sounding amplified instrument you’ve got”, and you know what- he is right. 

My DaSilva is my pride and joy. This is my main performance uke and is very special to me. Mike DaSilva and I are good friends and I enjoy his instruments immensely. 

I still have my very first ukulele- it’s a Flea. I take it to the beach and anywhere that I don’t want to worry about my uke getting hurt. I have dropped it SO many times and it has survived very well. 

My Pono is one of the rare ones they made out of Koa. They only made a few of them and I lucked out. It was my first “professional” uke. I still enjoy playing it and use it to teach my high G students. 

ALSO, I’m so excited! In the works I have a Moore Bettah Ukulele, by Chuck Moore. I met him this past October in Hawaii and I loved him as a person. Then I played a few of his ukes and I thought “Wow! No wonder folks love his instruments.” I am on “the list”, so who knows when I’ll get it, but I’m super excited to have made it onto “the list”. I know it will be a beautiful instrument. 

Tell me what the future holds - any plans in the pipeline? 

I have lots of plans! I have quit my day job and am now a full time musician. It is a very exciting endeavor and I’m extremely happy with my choice thus far. This coming year I will be performing in England, as well as several festivals in the states. I am hoping to pick up some work in Asia, but we shall see. One specific event I’m looking forward to is a Ukulele Cruise to Alaska! Craig Chee and I will be doing a mini ukulele festival on Princess Cruise Lines up to Alaska in July. It should be a ton of fun. I am also doing a lot of teaching- via Skype as well as in person. I absolutely love teaching, so I feel incredibly lucky that I’m getting to pursue that avenue. 

Cool! I know full well that my readers will want to know how about getting lessons with you – how are they best to get in touch? 

The best way to get in touch with me is through the contact button on my website. Send me a note and we can discuss times, etc. I do Skype lessons a lot. It actually has turned out to be a great way to teach. I was VERY skeptical of teaching that way at first, but after having enough people ask, I gave in. I have students from around the globe now, it’s quite exciting. Also, while I’m in Cheltenham, if I have free time, I’m always happy to teach in person as well. It all depends on my schedule. It is always fun to meet folks in person that I’ve taught through Skype. 

And finally, I ask this of everyone I interview - what are your best tips for new players? 

Have fun. Yes technical stuff is important, but you won’t practice that stuff unless you are having fun. Also- make sure to play with other people as much as possible. You will become a better player the more people you play with. There are so many Ukulele Clubs around that if you can get to one weekly, you’ll be amazed at how much better you get within a months time. Lastly, never leave your uke in its case. I leave mine out and about so that I see it and pick it up whenever the muse hits me. You will forget about your dear ukulele if you leave it forever put away.

Wise words Sarah - thank you so much for your time and see you again soon!

Catch up with Sarah at http://www.sarahmaisel.com

Credit - ABI Photo

24 Nov 2013

Ukulele News - 24 November 2013

Ukulele news time! Snippets from around the world in the last two weeks!



Ukulele protest song

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Shame on you Tesco

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Blackbird launches it's sustainable ukulele - The Clara

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I despise stuff like this. Particularly when you actually get to the article it talks about - it is pretty lame...

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Say hello to Ukes In Thyme

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Bret McKenzie talks uke

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Nice follow up to the Ceilidh



More news soon!

23 Nov 2013

I Am The Doctor (Doctor Who) - Al Wood

I'm going totally against my own better judgement here - I am NO fan of Dr Who, and commented on social media only this morning that I have Who Overload... However, I think this probably needs sharing - The theme for Matt Smith's Doctor performed by Al Wood of Uke Hunt.



And Al has put up tabs for you to give this a try yourself HERE

22 Nov 2013

Christmas on 34th Street - Christmas songbook REVIEW

Well, Christmas is coming (like it or not!), and I suspect that uke players the world over are considering songbooks for christmas events and carol singing. So you spend your time collecting tatty chord sheets from here, there and everywhere on the internet... How about a nicely presented collection all in one place?

Say hello to "Christmas on 34th Street" - a Christmas ukulele chord / songbook prepared by M. Ryan Taylor of http://www/ukuleleplay.com.



Ryan sent me a copy of his book and I have been playing through it lately. In my opinion he has presented a rather nice collection of songs. There are 34 songs in here, but what I find really nice is that he has presented most of them in multiple keys to ensure that any group should be able to find a version that suits their vocal ranges. Thats a really neat idea that you don't normally see in song books that kind of tell you to 'play it this way or the highway'. He also went another step further and as well as providing standard GCEA chord boxes at the top of each sheet, he has provided Baritone chord boxes too. Something else you don't see all that often.

If you take a look at the sample below, you will see that the songs are presented simply, but rather nicely done. It all looks very clean and professional. This is NOT a tablature book - but provided is the basic melody in standard musical notation, together with the lyrics and the chord changes above them. All you really need to get going if you are going carol-ing.


They are simple versions of the songs, and the book bills itself as being '3-4 chord classics' - and that is perfect for beginners or those wanting something simpler when playing door to door in the cold!

It's a traditional selection of songs which will suit most purposes. I would have liked to see some more modern stuff in there to break up the traditional - perhaps a 'Rocking Around The Christmas Tree' or 'Blue Christmas', but it does what it says on the tin. I also don't personally go for the religious stuff, but that is just me, and I understand inclusion in a Christmas book, but there is plenty to choose from that is more universal.  Lets take a look at the songs that are included.


Away in a Manger
Boars Head Carol
Bring a Torch, Jeannette Isabella
Christmas is Coming!
Coventry Carol
Deck the Hall
Ding Dong! Merrily on High!
The First Noel
Friendly Beasts
Go Tell it On the Mountain
Good Christian Men Rejoice
Good King Wenceslaus
Here We Come A-Wassailing
Holly and the Ivy
In the Bleak the Midwinter
Infant Holy, Infant Lowly
Jingle Bells
Jolly Old St. Nicholas
Joy to the World
March of the Three Kings
Masters in this Hall
O Come, Little Children
Once in Royal Davids City
Rocking Carol
Shepherd! Shake Off Your Drowsy Sleep
Silent Night
Sing We Now of Christmas
Sussex Carol
Twelve Days of Christmas
Up on the Housetop
Wassail, Wassail, All Over the Town!
We Wish You a Merry Christmas
Wexford Carol
What Child is This?

No confusing this with any other sort of songbook then! If you are building a club songbook for the festive season, it is definitely worth a look. The book is available on AMAZON as well as a few other places.

Good stuff Ryan!


19 Nov 2013

Pono MTD Video Review

Still playing catch up with my ukulele video reviews, so here is another one for you. The Pono MTD Tenor. Lovely instrument.


The written review can be found at http://www.gotaukulele.com/2013/04/pono-mtd-e-tenor-ukulele-review.html

As an edit - I refer in this to the woods on the faceplate as being rosewood. I am told they are ebony - don't look like it to me, but that is indeed what Pono say! Sorry..



( DIRECT LINK )

17 Nov 2013

Mahalo UFV1G 'Flying V' Ukulele REVIEW

On occasion I get a couple of more common criticisms about Got A Ukulele, and I thought it would be good to address them with a brand new review.

The first is that my reviews are skewed towards more expensive instruments. Well there are certainly some higher end ukes in there, but I have done some cheapies too. Secondly, people have said I am unfair on Mahalo ukes, as I have been quite vocal about their poor sound and quality control. So, to address both of those I grabbed a Mahalo Flying V ukulele for the princely sum of £30.... (Video review at the end of the article!)

Mahalo Flying V ukulele


I figured I would approach this like many beginners do in a way that contravenes the advice I give to new buyers, so I bought it from Amazon. As such it arrived with me as it would arrive from the factory - pretty much unchecked or setup. Whilst I can do a uke setup, I have deliberately not done that with this instrument to show you what a beginner will face. The only change I have made is put a set of Aquila brand strings on it, as that seems to be a common change a new player will consider. Otherwise though the uke is 'as is'.

The first thing that hits you with this uke is clearly the look of it. I have to admit having a bit of a soft spot for the flying V shaped guitar, so for me a uke that is built this way is naturally a cool thing. The Mahalo is built from laminate (top back and sides) and is finished in gloss black paint. Rawk!!

The shape is certainly flying V, no mistaking that, and looks the part. As a bonus, because of that shape it also stands up unaided. On closer inspection though, the finish is pretty poorly (or rather, liberally) applied, with lots of pooling and surface flaws on the sharp edges and where the body meets the neck.

The bridge appears to be rosewood and is a notched affair, meaning you tie a knot in one end of the string and just hook it in. A great bridge for a first time player as changing strings is really easy. It's shaped to compliment the instrument and its nice to see something a bit different. The saddle is plastic and is shaped and compensated which I think is total overkill on an instrument like this. My biggest gripe however is that the bridge is set in the wrong place. Not just the saddle, the whole thing. It is actually fitted on a slight angle and not quite in line with the neck either. It's a minor misplacing but this kind of thing can lead to tuning issues that are pretty much impossible to fix. Something of a cardinal sin.

Mahalo Flying V ukulele body and bridge


There is no other bling on the instrument body, and the sound hole is unadorned. Looking at the edge of the sound hole though shows you just how thick this laminate wood is - its over 2mm thick and that is pretty awful. Good laminates are half this thickness or less. Why does that matter? Well the top of the instrument needs to vibrate to create tone and project volume. I think you would need to hit this with a hammer to get any character out of it.

Inside the uke shows a very messy build. There is black paint overspray on the interior wood, glue seepage all over the place, and wood shavings stuck to the inside.

Moving on to the neck, the first observation is that the fingerboard fits the body flush. That is to say, unlike many ukes the fingerboard is not raised above the top of the body - it kind of runs directly into the body. Some older ukuleles used this build, usually because they set the frets directly into the neck.  That is not the case here though as there is a fingerboard topped on to the neck, it is just deliberately set flush. For theatrics, some players like this because it allows you to fret strings beyond the neck directly onto the top of the body, although I doubt Mahalo introduced this design for that kind of player!

Mahalo Flying V ukulele string angle
note the string angle and thickness of the top


I cannot tell how the neck is built as it is covered in thick paint, but it has a fairly standard, chunky C shaped profile which is pretty comfortable to hold. There are 14 nickel plated frets, and I know they are plated as it looks like some finish is coming off the lower ones and they are turning a brass colour. In fact one of the frets is showing signs of rust, so who knows how long this was sitting in a damp warehouse!

The fingerboard 'appears' to be rosewood, but I actually suspect it's something more generic as a glance at the (unbound) fingerboard edges shows that it has been stained with a rosewood coloured paint. We have pearloid looking fret markets at the third, fifth and seventh frets, and it is good to see they are repeated on the side of the neck. I don't understand why the fingerboard markers are differing sizes and think they look odd. I also prefer fret markers higher up as I have no issue finding the third and fifth frets, but I suppose this is a beginner uke.

Mahalo Flying V ukulele fingerboard


The nut is cut from plastic, neatly applied yet the slots are far too high (more on that later)

The headstock mimics the headstock on the Gibson Flying V guitar in shape and looks kind of cool. It too is finished in black gloss paint. The Mahalo logo is applied by way of a transfer in a gold colour, but it is totally uninspiring and looks like it uses a very basic font and was applied as an afterthought.

Mahalo Flying V ukulele headstock


The tuners are open geared, finished in gold plating and the mountings are shaped like dolphins (a dig to their rivals Makala perhaps?). The gold finish is tarnished, particularly on the string posts and they look much older than they should be. They are not quite set in line with the headstock, and the large black plastic buttons are FAR too big and look silly. They hold tuning ok though, but do grind and go from slack to firm on turning which is a sign of ultra cheap gears. A drop of chain oil 'may' help here.

Mahalo Flying V ukulele tuners


Completing the package was a set of the most awful nylon strings I have ever encountered (now changed to Aquilas) and an extremely cool gig bag. Not quite sure how they include a bag like this for £30, but its white, leatherette finished with a really rather fabulous plush blue interior. A really nice addition.

So - some nice looks, but sadly let down with the finish and a fundamental error in the build. How does that translate into playing it?

Firstly, it is uncomfortable. To play without a strap, those V fins dig sharply into the arm, and I am not even sure where or how you would attach a strap button. Because of those angled sides the Mahalo is also uncomfortable to play sitting down as the neck of the instrument constantly wants to fall to the floor. If you are a beginner there are far more comfortable ukuleles to hold. It is also quite heavy on account of that overly thick laminate construction.

Setup wise, things are not great. The action at the saddle is not too high, but the nut needs cutting down a bit. Asking a beginner to lower a saddle is not a big job, but lowering nut slots is a more delicate affair. The string height here is too high, and the result of that is when fretting notes at the first and second frets, the tuning goes sharp on account of the string being pulled down too far. Looking at it side on though, whilst the saddle action is ok at the higher frets, that is on account of the build being wrong as the strings approach the neck on far to steep an angle, as the body seems tilted back a little. That is to do with that flush fingerboard fitting to the body. All bad for intonation and accuracy.

But that misplaced bridge really doesn't help things and intonation down the neck goes off fairly badly. The only fix for that is removing the bridge and re applying it, which is really not an option that a beginner is going to consider worth it on a £30 instrument.

The sound is pretty dead and one dimensional. A friend likened it to rubber bands on a margarine tub, and I know what they mean! It has a thin sound with very little sustain or character. And this is with Aquila strings, it was really dreadful with the stock strings. Volume is very low, and even with the power of Aquila strings, even the most vigourous strumming doesn't get a lot of noise out of it. All in all, pretty awful.

For me it is a novelty only, but actually that saddens me. The uke struggles enough at times to rise above the 'toy guitar' moniker, and Mahalo are doing nothing with this to help its cause. Further, I have played many entry level Mahalos that suffer from similar build issues and those ukes are (on account of their price) the ones that many beginners start out with. And that has always been my issue with Mahalo - when a new player starts on one of these I think they are capable of putting them off the instrument for life, or at best, re-enforcing the 'toy guitar' stereotype. For me, I would always suggest beginners spend a little more, but if £30 is indeed your budget I remain of the view that the Makala line is a far better bet.

Mahalo Flying V ukulele gig bag
nice gig bag though!

And.. if you don't want to heed my warnings - yes... they are available on Amazon.

PROS

The rock shape
Wonderful gig bag

CONS

Everything else.

SCORES

Looks - 7
Fit and Finish - 1
Sound - 2
Value For Money - 6

OVERALL - 4

To understand my review scoring and see this result in context - visit my review page at

16 Nov 2013

Godin Multiuke Electro Tenor video REVIEW

OK, fairly hot on the heels of the last ukulele video review ( I allowed myself to get way behind with them), I have been meaning for AGES to do a video about the Godin Multiuke. Kind of one extreme to the other - this is a LOT of ukulele!




( DIRECT LINK)

And for the written review visit - http://www.gotaukulele.com/2013/08/godin-multiuke-tenor-electro-ukulele.html

14 Nov 2013

Friends Of Old Puppy - Am I Blue?

Just a random search of ukulele videos on YouTube brought this up. If you like a bit of jazz, this may be up your street. I think it's rather nice. They are called The Friends Of Old Puppy Band.

A pair of Risa uke solids, plus drums and the coolest washtub bass I have seen!

12 Nov 2013

Moselele Bambookulele Video Review

As many have pointed out, I have been very slow getting back to video reviews to compliment my written reviews. So, let's rectify that...


Here we go with a video review of the Moselele Bambookulele Concert. And keep an eye on this website as I will be giving this away in a competition very soon!



( DIRECT LINK )

And you can read the written review that goes with it here http://www.gotaukulele.com/2013/09/moselele-bambookulele-concert-ukulele.html

11 Nov 2013

N'Ukefest 2014

N'Ukefest returns! Another weekend of ukulele fun for enthusiasts or just the uke curious has been booked of 16-18 May 2014, in the heart of the Cheshire countryside.


n'ukefest 2014

Following on from the success of the 2013 gathering, we listened to feedback and hope to provide more of the same only better!

It takes place at the Cotton Arms pub, Wrenbury Cheshire and is free to attend. The whole weekend is in aid of Charity (Macmillan Cancer Support and The Wingate Centre) and aims to be an informal get together of old friends and new with a shared love of the ukulele.

Things kick off informally on the Friday evening with a get together and a jam. Saturday daytime will  give you the opportunity to take a spot on the open mic stage that is running all day and in the evening there will be performances from pro and semi pro ukulele acts until late. More open mics on the Sunday day time also.

There will be other surprises too that we are still working on, plus kids activities, food and a superb charity raffle being organised by Mary Agnes Krell - and if that is anything like last years, it promises to be amazing.

Best of all, you can book camping direct with the pub (or caravan pitches) if you want to stay over and enjoy the full weekend!

We are keeping the site http://www.nukefest.com up to date with developments, so keep that page bookmarked! We hope to see you there!! SAVE THE DATE!!

And, take a look back on 2013 HERE 

10 Nov 2013

Ukulele News - 10 November 2013

Here is the next round up of worldwide ukulele news over the last fortnight.. Something of a vibe of festival reviews in this one.




A look at the Roy Sakuma's Hawaiian Ukulele Festival.. (the 43rd!!!!)

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Say hello to Chantelle Pasquale - has a new charity single out.

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The Little Things

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Kids learning ukulele - great stuff

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A look at the first Philippines Ukulele Festival

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Ukes at the Bendigo Blues Roots and Music Festival - (plus one of The N'Ukes was there!)

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And a look back at the Liverpool Ukulele Ceilidh in Nova Scotia

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More news soon!

7 Nov 2013

On Bad Ukulele Advisors

With the massive boom in ukulele popularity in recent years, it comes as no surprise that the internet has also seen a boom in the armchair expert. I have seen some crazy stuff in the last few years...




I thought it would be fun /scary to post a few of these here for discussion, and it forms kind of a companion piece to my Ukulele Myths post written some time ago. But don't get me wrong - the internet and social media are amazing tools for ukulele beginners to get tips and advice, and on the whole the advice is good and well natured. There are some truly great forums where real experts are only too willing to give some advice based on years of experience for nothing. Facebook also has some good forums where beginners can pick up a lot of tips, but as part of my producing this website I find myself delving a little deeper into the web and come across some things that really bother me and many of those Facebook groups have taken a downward turn.

Opinions are great and we ar, of course,  all entitled to them, but there is nothing that bothers me more (as a  writer of a website principally aimed at beginners) than to see the ukulele player of say six weeks giving a beginner some terrible advice. These are not opinions based on anything other than a sudden passion or at worst a case of 'my mate said this so here is what I "reckon"..' An opinion is something that comes from the heart as a view. Telling somebody something that is factually WRONG is not an opinion, but sadly this whole 'it's just my opinion' has become the byword for a get out clause for spouting rubbish. These examples are ALL genuine.

Take the chap I recently came across who responded to a post from a beginner asking that oh so common question of 'I bought a new ukulele but every half an hour it just all goes out of tune on me'. The 'expert' responds with 'I've owned many ukuleles and sometimes they are like that. Sounds like you got a bad one. What I do is put them on ebay and then get another'.....

What??? Sure, it may have been an ultra cheap uke with some physical defect that meant it was never going to tune very easily (it can happen for a variety of reasons) but far more likely the answer is - 'no, it's fine, your strings are just settling down or something adjustable needs looking at by someone who knows what they are doing'. This was out there, online, in public to the whole world. How many beginners read that and went along with it? There is another lesson in this one of course and that's that if you don't understand setups, then please PLEASE buy from a reputable dealer that does.

Another one I saw recently was this one. A new player was trying to select their first ukulele, and was asking about different types of wood (you know the sort of question, "should I get spruce or mahogany" or something similar - a perfectly valid question). In the post they also noted a couple of models they were looking at (in the sub $100 category and both were laminate ukes). Our next expert rolls in quick to respond with a set of views about tone woods (presumably copied and pasted from elsewhere), their tonal properties, and then points out that 'wood type X always sounds better than wood type Y'.

Now hang on a minute there! Leaving the laminate wood element of this topic aside for a moment, who judges what sounds 'better'? That is something totally subjective to the player. You can't say a certain wood is better in any way - only 'different'.  And of course, back to laminates, in the cheaper end laminate ukulele world, the outer veneer is the only bit that looks like the wood it is supposed to resemble, and it is usually just a very thin finish on some unspecified plywood underneath. As such, whether that outer veneer is one wood or another, the traditional properties of the 'solid' version of those woods is not going to transfer to a laminate uke. Don't get me wrong here - laminate instruments do differ in their sound but it has nothing to do with the outer laminate veneer. (Further note - there are some superbly resonant high end laminate ukes out there by makers such as Kiwaya, but that is not what we are talking about here!).

Another common one I am seeing when people ask about the differences between the ukulele sizes. One chap decided to boldly respond that the tenor ukulele is 'lower' in sound than the soprano. Now, this may have just been a case of bad use of English, but the tenor ukulele is not tuned any differently than a soprano. In standard tuning it's GCEA, just the same as a soprano and a concert. The same key. Perhaps the ukulele they saw may have had a low G, but it is still tuned in the same key. The body is however bigger and that 'can' give the uke a bigger, fuller or more resonant sound (generally), but it is not 'lower'. That would be the baritone. In fact it then got worse... somebody else responded to his comment (correctly) stating 'hang on, isn't the tenor tuned the same as a soprano?' to which the initial 'expert' chimes in with 'yeah, but it's still a lower sound'.... No, no it isn't.

How about this next one. There are websites out there which are supposed depositories of articles written by 'experts' for which it seems some sort of vanity project that the 'experts' get likes and praise for. The 'Wiki How' and 'eHow' types of sites that prompt would be experts to have their 5 seconds of fame by writing free articles for them in some sort of vanity back slapping exercise. Whilst there are some true experts out there there are also many 'experts' (in quotes) - those who don't really have any experience of many of their subjects yet write thousands of articles on everything from motorcycle maintenance to flower arranging, most likely culled from other specialist websites, then spend all day tweeting the links to what they spouted. One such expert wrote a guide for beginners on buying ukuleles, and tweets a link to it pretty much every single day. It particularly incensed me because of this line ( this is a direct quote)

"Soprano ukuleles are tiny, but still produce a good sound. What you should know if you're about to start playing the ukulele though, is that although a soprano is cute, and generally the cheapest to buy, most ukulele players move on up in size of ukulele from soprano to concert or tenor pretty quickly when they've started playing. A concert ukulele has 15 to 20 frets, whereas a soprano has only 12 to 15. Therefore, you may save money in the long run if you buy a size up from the start."

Where to begin here.... yes, sopranos are small, perhaps even 'cute' (yuk), and in some cases they can be cheaper to buy... but what is this business about 'moving up' as you progress?  As if, when you have earned your stripes, you are entitled to a bigger uke?? That's a total disregard to the Hawaiian tradition and their love for all scales, particularly the soprano and just plain wrong. If anything the soprano IS the most revered ukulele. I personally favour the soprano and the tenor so what happened to me?? I also know many players who's first uke was a concert, and that is the only scale they own. The soprano is not a toy to be discarded when your playing has improved, and many people consider it the ultimate ukulele.  What really got me about this article is that it is then followed by a bunch of comments from readers saying 'well done, great advice!!'. NO!, it ISN'T great advice. What you are praising there is a prime example of beginners being duped by duff advice from those with only a little knowledge. 'Expert' indeed!

I read an increasingly popular ukulele website this morning that had put up a post 'advising' on how to choose your 'first ukulele'. Aside from some other stuff that irritates me (including claiming that the Mahalo Les Paul was a good first buy...) there we see again a repeat of the usual nonsense. In two of their bullet points they claim that larger scale ukuleles are in some way easier on the fingers and that solid wood is 'better' than laminate. It REALLY saddens me. Beginners actually read and 'like' this stuff. Worse, beginners actually take this stuff in and in a few months will be advising others of the very same. The received wisdom slowly starts to become fact.

And so it goes on. From the poster recently responding to someone saying they were struggling with the E chord with 'just play an E7, it is the same thing', (Argggghhhhhhh!!! no it ISN'T), to the respondent to the person who asked which were better strings, 'the black ones or the white ones' with very assured comment of, "definitely the black strings - they are much fuller sounding", this stuff is everywhere these days.

Why post this rant? Well because I know there are a heap of very knowledgeable players out there who give up a lot of time for beginners, but they cannot be on every single site all the time. There are also a growing number of brand new players either about to get their first instrument, or just sitting down with one for the first time wondering what is wrong and why things are not like the media told them they would be. They decide to ask a question online and hit the first place on the internet they can find. They find this mis-information. Everyone is an expert.

I find it really concerning for new players. Sure, some might say they 'need to learn' and will 'soon realise the error of the advice they took', but I would rather such new beginners sought out their advice carefully and took it from trusted players and experts. Such hangouts DO exist - Ukulele Underground Forums are an obvious place and there are others, but there are also a growing number of groups, particularly on Facebook where the blind really are leading the blind.

I know that some of the people on there may just be genuinely trying to help out, and I totally get that too, but it's pretty random out there these days. Of course some of these 'experts' are just loving the position they have created for themselves despite only playing a ukulele for two months.  I've personally dabbled with the mandolin but would never go onto a beginners mandolin group and start giving advice having not really played one all that long. Remember, just because it is easy to set up a website these days and simply repeat what you read somewhere 'parrot fashion' does not mean the advice is sound.

If you are on this site considering your first ukulele, then do take care with advice out there. Question everything. Heck, I have even heard stories of less reputable music stores now jumping on the bandwagon and giving bad advice when it comes to ukuleles. Like the pools of ukulele advisors there are, sadly, good and bad dealers too i'm afraid.

In summary, if you are taking advice online - there is one question you can ask to check... 'how long have you been playing?'. Take the answer to that question and act on the advice they are giving with appropriate caution.

So tread carefully, take LOTS of advice and have fun!

AND! Be sure to check out my other ukulele RANTS - where I explode the many myths and bad advice that surrounds the instrument - CLICK this link! http://www.gotaukulele.com/search/label/rants






5 Nov 2013

Linger - The Cranberries - Ukulele Chords

Pretty song from quite a few years ago. Very straightforward on the ukulele too. Linger by The Cranberries.


As it is so basic, experiment with your strumming pattern. Hammering on the E string one fret down on the D chord helps add a bit of shape too. The strings in the intro are based around the chord sequence which is the same all the way through. As usual - video at the end to play along to.


If [D] you, if you could return, don't let it [A]burn, don't let it fade.
I'm sure I'm not being [C] rude, but it's just your attitude, 
It's tearing me a [G] part, It's ruining everything.

And I [D] swore, I swore I would be true, and honey, so did [A] you.
So why were you holding her [C] hand? Is that the way we stand?
Were you lying all the [G] time? Was it just a game to you?

But I'm in so [D] deep.
You know I'm such a [A] fool for you.
You got me wrapped around your [C] finger, ah, ha, ha.
Do you have to let it [G] linger?
Do you have to, do you have to,
Do you have to let it [D] linger?

Oh, I [A] thought the world of you.
I thought [C] nothing could go wrong,
But I was [G] wrong. I was wrong.

If [D] you, if you could get by, trying not to [A] lie,
Things wouldn't be so con [C] fused and I wouldn't feel so used,
But you always really [G] knew, I just wanna be with you.

But I'm in so [D] deep.
You know I'm such a [A] fool for you.
You got me wrapped around your [C] finger, ah, ha, ha.
Do you have to let it [G] linger?
Do you have to, do you have to,
Do you have to let it [D] linger?

Instrumental D, A, C, G

And I'm in so [D] deep.
You know I'm such a [A] fool for you.
You got me wrapped around your [C] finger, ah, ha, ha.
Do you have to let it [G] linger?
Do you have to, do you have to,
Do you have to let it [D] linger?

You know I'm such a [A] fool for you.
You got me wrapped around your [C] finger, ah, ha, ha.
Do you have to let it [G] linger?
Do you have to, do you have to,
 Do you have to let it [D] linger?

Repeat D, A, C, G to end



WHY NOT DONATE TO HELP KEEP GOT A UKULELE GOING?





THANKS!

3 Nov 2013

The Anything Goes Orchestra - Mr Otis Regrets - CD REVIEW

You know when you see one of those shows that just has you sitting there grinning? Well that happened to me (and a lot of other people) at this years Grand Northern Ukulele Festival at which The Anything Goes Orchestra closed the weekend with a bouncing, blistering set that was, for me, a highlight of the weekend. Since then I have had their album "Mr Otis Regrets" on heavy rotation.


The Anything Goes Orchestra - Mr Otis Regrets


The band are a five piece hailing from Sheffield comprising Tim Smithies (vocals, uke, kazoo), 'Mighty' Mo Andrews (vocals, percussion), Andrew 'Doc' Strong (vocals, uke), Jake 'The Shake' Smithies (double bass) and Dave Thornett (drums). They bill themselves as 'The Worlds Greatest Ukulele Feel Good Big Band' - and judging by their set in Pontefract this year, I think the audience would most probably agree.

Listening to the record, I was mostly struck by how this is a band with something of a dual identity. It would be easy to look at their image and assume, that this is a group stuck on playing tunes from the 20's or 30's. Whilst that influence oozes through the record, there is actually a lot more to them than that.

We open with the ukulele staple of "Five Foot Two", delivered in the style you would expect. It's certainly big band stuff and accompanied by Tim on his 'Canzoo'. (For you and I, thats a kazoo, stuck in can... obviously.. but it allows him to play a muted trumpet style which sounds great).

But then something changes, after some simple uke strumming the CD starts bouncing to the track 'Upside Down' by Paloma Faith. Hang on a minute.. We have just jumped from the 1920's to 2010 in a heartbeat. Is this their pitch at being 'ironic'? The token 'modern' cover? No, no, no - far from it, read on! It's one of several standout tracks on the album for me. I have to admit not having listened all that much to the original but having checked that out since - sorry Paloma - I think they got you beat! It's a delight and the call and response vocals are a real treat.

The Anything Goes Orchestra
'TAGO' in full swing (credit - Andrew Henry)


But as I say, this is no token doff of the cap to the modern. We stay in the present with a smoky cover (and sublime vocal from Mo) of Big Bad Handsome Man by Imelda May. It sounds woozy, sultry and gets lit up midway with its own fuzzy lead uke solo.

And with that we switch back to the 50's with one of those songs that has been covered by everyone - Fever as (I guess) made most famous by Peggy Lee. It's a simple and pretty take led in the main by Jakes smooth double bass complimenting Mo's fabulous voice. Whilst it would have been 'easy' (for someone with a voice like Mo's, I particularly like the fact that it is delivered with her very own style.

We stay back in years gone by with another highlight for me. The Dubin and Warren jazz classic 'Lulu's Back In Town', most famously sung by Fats Waller. It's from here that we get the albums title (in case you were wondering) as it contains the line 'Mr Otis Regrets'. This went down a storm at the gig I saw and shows the band really sounding like they are enjoying what they are doing.

So are we getting the picture now?  Whilst elsewhere on the album we have more oldies in the likes of Summertime and Sweet Georgia Brown, we get there by way of the Mike Batt penned Katy Melua track 'My Aphrodisiac Is You' and The Paulo Nutini good time tune 'Pencil Full Of Lead', the latter led by Andrew Strong at bullet pace.

The total standout for me is another Imelda May track, Jonny Got A Boom Boom. This drives like a steam train, led by Jakes exemplary rockabilly bass, drum solo, uke solo and of course Mo's trademark screaming bluesy voice. Love it. I challenge you to listen to this without your feet tapping - it's tight, thumping and really well performed.

Elsewhere we have the likes of 'Is You Is', and a flip to the (nearly) modern via Tainted Love by Soft Cell. How's that for variety?

The album closes on a track that, when I saw the album sleeve, I have to admit didn't expect me to be noting as something of a highlight, probably because I have seen so many uke clubs take this track on. Its the club staple, 'Wanna Be Like You' from Jungle Book. You know - if you are in a club and play this and think you have it nailed? You don't. Sorry....! Everything about this track exudes the 'good time' that these guys promised. Razor sharp bass line from Jake - great scat call and response vocals. Hard not to smile listening to this one. And because I hear so many people playing this, I had actually grown rather sick of it in the last couple of years. Funny how a solid performance can shake that out of you eh?

TAGO
The band L-R  Tim Smithies, Mo Andrews, Dave Thornett, Andrew Strong, Jake Smithies


I've really enjoyed listening to this, but of course do recognise that in the 'niche' world of ukulele fans, it's hard for me to try to come across as completely impartial. I would assure readers that if I didn't like it, I would say so, but, of course, you have to take my word for that. There are some tracks stronger than others, for sure. On some tracks I thought the ukulele was a little lower in the mix than I would like but then, whilst they bill themselves as a 'ukulele' band I don't think that's what they really are. This is a five piece who happen to use a couple of ukuleles. I'd also like to have heard a little more of Jakes electrifying bass runs, but these are just nitpicking.

As I said earlier, I think there are two sides to this coin. Will this appeal to the uke community? Of course it will, but it should appeal to anyone who likes good music (as I say, I don't consider this a 'ukulele album'). But it also has that core backbone of variety between the songs. Lovers of old time jazz will like it for its style and the scattering of classic old tunes, but there is much from todays music in there too. I think that's why its so enjoyable to listen to. Let me give you another form of review. I have a 13 year old daughter who is firmly in that age of whatever Dad likes in 'uncool'. She is also firmly entrenched in listening to the likes of One Direction and nothing else (she will learn...!). Anyway, I put this on in the car during a journey, expecting her to put the iPod earphones in. There she sat, feet tapping away. The next car journey she asks for the album to go on again.... Having now considered that, you can kind of ignore everything else I have written as I think that just about sums it up!

And what of their self appointed 'good time'? Well, to me they sound like they are having an absolute ball!

Recommended.

http://www.anythinggoesorchestra.com


TRACK LISTING

Five Foot Two
Upside Down
Big Bad Handsome Man
Fever
Lulu's Back In Town
My Aphrodisiac Is You
Pencil Full Of Lead
Jonny Got A Boom Boom
Is You Is
Sweet Georgia Brown
Tainted Love
Summertime
Wanna Be Like You

2 Nov 2013

Made Of Stone - The Stone Roses - Ukulele Chords

Pretty simple one this for ukulele. Made Of Stone by The Stone Roses. Video at the end to play along to.



[Em]Your knuckles whiten on the [D] wheel
The last thing that your hands will [C] feel
Your final flight can't be del [B] ayed
[Em] No earth just sky, it's so ser [D]ene
Your pink fat lips let go a [C] scream
You fry and melt, I love the [B] scene

Sometimes [G] I,  fanta [D] sise
When the [C] streets are cold and lonely
And the [G] cars they burn below me
Don't these [G] times fill your [D] eyes ?
When the [C] streets are cold and lonely
And the [G] cars, they burn below me
Are you all [D] alone? Is anybody [Em]home?

I'm standing warm against the [D] cold
Now that the flames have taken [C] hold
At least you left your life in [B] style
[Em]And for as far as I can [D] see
Ten twisted grills grin back at [C] me
Bad money dies, I love the [B] scene

Sometimes [G] I,  fanta [D] sise
When the [C] streets are cold and lonely
And the [G] cars they burn below me
Don't these [G] times fill your [D] eyes ?
When the [C] streets are cold and lonely
And the [G] cars, they burn below me
Are you all [D] alone? Is anybody [Em]home?

INSTRUMENTAL

Sometimes [G] I,  fanta [D] sise
When the [C] streets are cold and lonely
And the [G] cars they burn below me
Don't these [G] times fill your [D] eyes ?
When the [C] streets are cold and lonely
And the [G] cars, they burn below me
Are you all [D] alone? Is anybody [Em]home?